#Live From Fest Festival

[sunshineandlyrics]

Some fan signs for Live From Fest Festival, 6 September 2024 via @ killmymindls @ loveforbrave @ outofhisystem @ bogismanski

[sunshineandlyrics]

"Memory Full" 😅😂

Louis trying to record a video on a fan’s phone but dealing with a full storage - 06.09

[justthinkingaboutlouis]

[faithinlouisfuture]

a louie’s worst nightmare coming true 😅

[tomlinsonsource]

September 6th, 2024 - Louis performing at Live From Fest Istanbul

Photographed by Joshua Halling

[smolldust]

praying someone records all the idol performances of all their songs. I would do it myself but I don’t have a capture card. If you do this I will kiss you /silly

[kraymerman]

Now that the Grand Fest has officially come to an end and the winners announced, I would like to give a few words.

To Team Past: Congratulations big time for your win! You put in the good fight and prevailed despite, quite frankly, overwhelming odds (and out of our two opponents, you were the ones I would've wanted to win, if it wasn't us)! Well well done! 👏👏👏

And to my fellow folks on Team Future: Well done! We faced the same overwhelming odds as Team Past, combined with Past's odds stacked against us, and although we came in a very, very dead last, by Joe we didn't go down without a fight, and the effort alone, the drive to never give up, deserves praise enough. That just makes us underdogs, just like the dear idols that represented us! And unlike the Past or the Present, there is no way of escaping the Future, it'll come whether you like it or not! Be it tomorrow, next week, or next year, we will, eventually, prevail! Because we're the Future, and the Future is the marching passage of Time! Well done, guys! Well done indeed! 👏👏👏

(have the Splatpost I made after the fest ended. it's the exact same one that I had for the fest, but I just added the underdog part)

[lilithofthevaalley]

i just looked up what the grandfest thing for splatoon is and what the actual fuck do you mean splatoon three had its final fest. what the fuck do you mean 3 is two years old. it’s still splatoon 2 days (now and forever) 3 is new

this is now two events relating to big things in my childhood (splatoon and the end of oresfall (we lost a great one) that i fucking missed

what’s next

like watch i’m gonna blink and then two is shutting down to make way for five and i missed four

[savebylou]

Hearts for Louis [Live From Fest Istanbul, 06.09.24].

[louisupdates]

bayhanproduksiyon Hey İstanbul! Büyük sürprize hazır mısın? 🎊

One Direction’ın üyelerinden, solo kariyeriyle başarılarını devam ettiren Louis Tomlinson; yılın en büyük festivali “Live From Fest İstanbul” kapsamında 6 Eylül Cuma akşamı Festival Park Yenikapı’da.

Biletler 16 Şubat Cuma saat 11.00 itibariyle sadece Passo’da satışta. 🎫

@louist91, @lthqofficial

#LouisTomlinson #LiveFromFestİstanbul #BayhanMüzik

@ugur__bayhan

-

Hey Istanbul! Are you ready for the big surprise? 🎊

Louis Tomlinson, one of the members of One Direction, continues his success with his solo career; As part of the biggest festival of the year, "Live From Fest Istanbul", on Friday, September 6, at Festival Park Yenikapı.

Tickets are on sale only at Passo as of Friday, February 16, at 11:00. 🎫

TICKETS

[bass-alien]

✨

[sunshineandlyrics]

🏎️ 🏁 Supposedly a fan's sign asked Louis to choose between no.1 Verstappen or no.2 Charles Leclerc. Louis choose 2 ✌🏼and called Charles "my boy".

Live From Fest Festival, 6 September 2024 via @ louisturkiye

[sinceileftyoublog]

Evanston Folk Fest Saturday: 9/7, Dawes Park

Sierra Ferrell

BY JORDAN MAINZER

Every musician I watched on Saturday at the Evanston Folk Fest grappled with, directly or indirectly, what folk music means in 2024. I knew going in, given the prestige of the musical lineup and speakers in the interview tent, that the festival would not be one that casts off "folk" as a mere aesthetic, visual or instrumental. Indeed, even if many of the booked musicians didn't fit the general schema of the folk genre, they abided by its most important tenet: music not just by the people but for the people, independent of level of expertise.

From left to right: Oliver Bates Craven, Ferrell, Matty Meyer, Geoff Saunders, & Joshua Rilko

Headlining the night was Sierra Ferrell, a singer-songwriter from West Virginia whose unique mix of bluegrass and Latin-influenced arrangements (and, yes, wild outfits) have allowed her to garner steadily increasing crossover appeal beyond her initial viral rise. Earlier this year, she released her fourth studio album Trail of Flowers (Rounder), which managed to widen the spectrum of her sound while emphasizing--let alone not losing--her idiosyncrasies. On standout fiddle jam "I Could Drive You Crazy"--Ferrell's proclaimed greatest relationship skill--you can hear crowd chatter from a show she did on a previous New Year's Eve. Such noise was almost perfectly replicated on Saturday, as Ferrell's band (multi-instrumentalist Oliver Bates Craven, mandolinist Joshua Rilko, bassist Geoff Saunders, drummer Matty Meyer) led off with the song's melody to welcome her onto the stage. As she waltzed on, revealing her poofy pink dress and feathered-and-flowered hair, done up like an Appalachian Björk, her fans did indeed hoot and holler.

Ferrell

Likewise, no matter the studio sheen of Trail of Flowers (or "Fox Hunt" being thumping enough to soundtrack an NFL cut to commercial), live, its songs fit seamlessly into a set that seemed intimate despite the large crowd. Album opener "American Dreaming" has found a second life as a song to be played near the end of the show, a crowd singalong due to its catchy melody and commonly felt story of a person unable to sit still. For touring musician Ferrell, who started out as train-hopping, van-dwelling, busking nomad, the only difference now is she can better afford nightly lodging. When performing, her unmistakably raspy voice takes even sharper twists and turns: During "Chittlin' Cookin' Time in Cheatham County", she occupied the shrillness of Joanna Newsom, flutters of Josephine Foster, and barroom gurgle of Tom Waits from moment to moment. Later, during Kris Kristofferson's "Me and Bobby McGee", but in the style of its most famous iteration by Janis Joplin, you half-expected Ferrell to do a Joplin impression. She has the skills, but instead, she made it her own, a true folk singer who can sing a song from the collective consciousness, but not showy enough to discourage others from joining in.

Rilko

Craven, Meyer, Farrell, & Saunders

Craven, Meyer, Farrell, Saunders, & Rilko

Hiss Golden Messenger

Hiss Golden Messenger

Midway through his solo set, Hiss Golden Messenger's MC Taylor let the crowd know he was going to do a cover of a folk song. "I was a folklorist in my former life, so I feel qualified to play it," he quipped. The song was Grateful Dead's "Bertha", and it received such rapturous applause that Taylor joked he should have led off with it. First, Taylor's always qualified to play Dead songs. His venerable band has been interpolating "Franklin's Tower" into Lateness of Dancers bop "Lucia" for years, and he's beginning to release live recordings on his Bandcamp page at the pace of a certain band that was oft-bootlegged. More importantly, though, at this point, Hiss Golden Messenger has developed a catalog of contemporary folk classics. As soon as Taylor came on stage, introduced by Evanston mayor Daniel Biss, an eager crowd member requested "Sanctuary", to which a chuffed Taylor requested patience, replying, "We'll get there!" As Hiss Golden Messenger studio songs and full-band performances expand in length and sound, they always sound good stripped down, too, from newer tunes like "Shinbone" to favorites like "Biloxi". Of course, it's the biggest treat to hear songs from acoustic masterpiece Bad Debt, an album he'll play in full next month at SPACE. Taylor gave the Evanston Folk Fest crowd a preview of what's to come with "Balthazar's Song", a tune that could make you melt on the coldest day of the year.

Hiss Golden Messenger

Hiss Golden Messenger

Mayor of Evanston, Daniel Biss

Willi Carlisle

And then there was the artist who, perhaps expectedly, most reckoned with the idea of what folk music means, Arkansas-based singer-songwriter Willi Carlisle. Sure, some of it was tongue-in-cheek, asking what an upper-middle-class Chicago suburb was doing deciding what constitutes a folk festival, but for the most part, Carlisle framed folk music as being in constant battle with that which represents an existential threat to, well, regular folks: capitalism, empire, and the patriarchy. Carlisle is a captivating storyteller and musician, reciting his poetry at a breakneck pace and ad-libbing, too, switching between banjo, fiddle, guitar, and a capella. I'm glad he's released a taste of what his shows are like with Tales From Critterland (Signature Sounds), which features three of the many songs he played on Saturday, plus their proper introductions: "The Arrangements", inspired by and dedicated to his and all bad fathers, "Critterland", which came from his attempt to live in an intentional community, and Steve Goodman's "The Ballad of Penny Evans". It was that last one that was the song of the day on Saturday, perfect for time and place. Let's acknowledge the elephant in the room: Goodman's best known in Chicago for writing the song that plays at Wrigley Field after the Cubs win. The crowd at Evanston Folk Fest was likely more familiar than is the average Chicagoan with Goodman's penchant for writing incredibly moving and righteous songs, but for those who weren't, Carlisle's show-stopping version of Goodman's anti-Vietnam War ballad surely gave them the chills. On Tales From Critterland, Carlisle explains how Goodman lifted the melody from a song about slavery, sung from the point of view of the slaveowner, repurposing a great melody for a song with complete opposite levels of morality, an exercise in the evolution of songs. On Saturday, Carlisle simply dedicated his performance to all the Palestinians murdered by a despotic Israeli government. It was a moment that most spoke to folk music's true power, that of "This machine kills fascists" protest, an ability to foresee unfortunately everlasting societal ills, and a dare to hope for a better world.

Carlisle

[justthinkingaboutlouis]

Smiley Louis after smashing Back to You rock version Live From Fest Istanbul - 06.09.2024

[faithinlouisfuture]

the Live From Fest’s stories are an ode to Louis today (x)

[tomlinsonsource]

September 6th, 2024 - Louis on barricade at Live From Fest Istanbul

Photographed by Joshua Halling